The Venice Art Biennale 2017:

THE VENICE ART BIENNALE 2017: the 57th International Art Exhibition

The Venice Art Biennale. The Venice Art Biennale is the most important international art exhibition in the world.
The first edition dates back to 1895, and since then, the Venice Art Biennale, every two years, has gathered in Venice the most important contemporary artists causing quarrels, scandals, protests, inspirations, and much more.

SEE ALSO: photos of Biennale 2015.

The greatest artists have exhibited their works of art at the Venice Art Biennale, including: Gustav Klimt, Henry Matisse, Modigliani (in 1922, two years after his death, a retrospective exhibition was arranged, which provoked several debates), De Chirico, Dalì, Kandinsky, Pollock, Jeff Koons, Damien Hirst, and Maurizio Cattelan, just to mention a few.

In this post you’ll find all the updates 😉

Last update 12 ottobre 2016

The dates of the Venice Art Biennale 2017

The 57th edition of the Venice Art Biennale is scheduled to run from May 13th to November 26th 2017.

READ ALSO: Architecture Biennale 2016: Reporting from the front.

The curator of the Venice Art Biennale 2017

Christine Macel will be the curator of the Venice Art Biennale 2017.
She’s just the fourth woman to have directed the prestigious Venice Art Biennale since 1895, after Maria de Corral, Rosa Martinez and Bice Curiger. Since 2000 French Christine Macel has been Chief Curator at the Centre Pompidou in Paris, and as President Paolo Baratta declared: “Her experience in the Department of “Création Contemporaine et prospective” at the Centre Pompidou in Paris has long offered her a vantage point rich in potential from which to observe new energies coming from various parts of the world”.

The title chosen for the 57th International Art Exhibition (UPDATE 12 OCTOBER 2016)

The title chosen by Christine  Macel for the 57th International Art Exhibition is: VIVA ARTE VIVA.
Viva Arte Viva is also an exclamation, an expression of the passion for art and for the state of the artist.
A Biennale designed with the artists, by the artists and for the artists. It deals with the forms they propose, the questions they pose, the practices they develop and the forms of life they choose.
The Exhibition organically evolves in a sequence of pavilions, rooms and stanze, offering the spectator an experience, i.e. a journey, from the interiority to the infinity.
These pavilions which gather artists of all generations and origins, sinuously follow one another like chapters of a book. From the “Pavilion of artists and books ” to the “Pavilion of time and infinity”, a dozen universes tell a conversational and sometimes paradoxical story, concerning the complexity of the world and the variety of positions and practices.
The Exhibition also aims to be an experience, representing an extroversion movement towards the other, towards a common place and towards the most indefinable dimensions, opening the pathways to a neo-humanism.
Every week, during the six months of the exhibition, the artist and his public will participate to an Open Table (Tavola Aperta) where they can have lunch together and where they can dialogue and talk about the artist’s practice.


The Exhibition offers a route that unfolds over the course of nine chapters or families of artists:

  • two introductory realms in the Central Pavilion;
  • seven across the Arsenale through the Giardino delle Vergini.

Christine Macel has called it  – «an Exhibition inspired by humanism. This type of humanism is neither focused on an artistic ideal to follow nor is it characterized by the celebration of mankind as beings who can dominate their surroundings. If anything, this humanism, through art, celebrates mankind’s ability to avoid being dominated by the powers governing world affairs. These powers, if left to their own devices, can greatly affect the human dimension, in a detrimental sense.»

Each of the nine chapters or families of artists of the Exhibition «represents a Pavilion in itself, or rather a Trans-Pavilion as it is trans-national by nature but echoes the Biennale’s historical organisation into pavilions, the number of which has never ceased to grow since the end of the 1990s.»

The Nine Trans-Pavilions

The Pavilion of Artists and Books opens on a tension between action and inaction, between laziness and active engagement. This section of the exhibition looks at ways of being an artist, the reasons, both good and bad for “making art” today, looking also – with a hint of sarcasm – at the art milieu itself.

The Pavilion of Joys and Fears explores the relationship between the individual and his own existence, his emotions and feelings or the ones he tries to generate. In a world shaken by conflicts, wars, and increasing inequality that lead to populism and anti-elitism, subjective emotions resurface, now more than ever.

Next on our journey, The Pavilion of the Common greets us in the Arsenale around the work of artists exploring the notion of the common world and the way to build a community, as a way to counter individualism and self-interests, which represent a worrisome threat in today’s troubling climate.

Likewise, The Pavilion of the Earth is centred onenvironmental, animal and planetary utopias, observations and dreams. From communitarian utopias reminiscent of the ecological or esoteric ideas typical of the 1970s, to current theories about the ties between climate and capitalist strategies, as well as individual fictions; all conjure both a sense of melancholy and a profound joy.

The Pavilion of Traditions. Traditions that were once rejected in the 18th century by the Enlightenment and later by secular modernity, have re-emerged in the worst sense, , namely fundamentalism and conservatism, sparking rejection and nostalgia for the past believed to be better.

In The Pavilion of the Shamans, many artists subscribe to the definition of the artist as a “shaman”, and there are also those who become “missionaries”, as per Duchamps’s definition, stirred by an internal vision. This figure, which Joseph Beuys made his own, from which few managed to recover, and was mostly -in retrospect- underestimated, takes on today a new dimension, at a time where the need for care and spirituality is greater than ever.

The Dionysian Pavilion celebrates the female body and its sexuality, life and pleasure, all with joy and a sense of humour, and features numerous works created by female artists. The Pavilion is a hymn to sensuality and inebriation, combined with music, dance, singing, and trance as ways to access this dimension, where new states of consciousness seem possible.

The Pavilion of Colours. According to well-known neuroscientific studies, colours do not exist in themselves but are the result of a cognitive function performed by the human brain and eyes as they decipher reality. Colours thus appear to be a particularly subjective source of emotion, which calls to reconsider the relevance of the phenomenological approaches of art.
The Pavilion of Time and Infinity. Time as a flow of continuous mutations and impermanence that eventually lead to death, has inhabited the work of artists since the 1970s, when conceptual performance combined  thoughts on the length of time and the inevitable fall. Reformulated by artists since the 1990s at the time of “presentism”, or suspended time and “hyper-instantaneousness”, the notion of time re-emerges today


120 are the invited artists from 51 countries; 103 of these are participating for the first time.

Parallel events

Open Table (Tavola Aperta): artists will be the guiding force behind VIVA ARTE VIVA and they will begiven the opportunity to be heard.
Every Friday and Saturday of every week, during the six months of the exhibition, artists will host an Open Table (Tavola Aperta) and meet visitors over a casual lunch to hold a lively conversation about their practice.
The Open Table (Tavola Aperta) events will be streamed live on La Biennale’s website.
Artists Practices Project: a permanent space will also be created in both Exhibition venues for the Artists Practices Project, a series of short videos made by the artists about themselves and their way of working.
Starting from February 7th until the opening of the Exhibition, videos will be uploaded on la Biennale’s website, giving the public the opportunity to become familiar with the invited artists.
Unpacking My Library: the project titled Unpacking My Library, inspired by Walter Benjamin’s essay published in 1931, allows the artists of VIVA ARTE VIVA to compile a list of their favourite books.
This is both a way to get to know the artists better and a source of inspiration for the public. The list of books will be published in the exhibition at the Central Pavilion and in the catalogue. The books listed by all the participating artists will be available to visitors at the Stirling Pavilion in the Giardini.
Special projects and performances: Several special, site specific and performance projects have been commissioned especially for the Giardini, the Giardino delle Vergini and other venues around the city of Venice.
The performances will all be streamed live on La Biennale’s website. The videos will remain on view in a dedicated room of the Arsenale.

Arsenale Venice | Biennale

the 57th International Art Exhibition – The Venice Art Biennale 2017
13 maggio – 26 novembre 2017


Educational activities will again be offered for the year 2017, addressed to individuals and groups of students from schools of all levels and grades, from universities and fine arts academies, and to professionals, companies, experts, architecture fans and families. These initiatives aim to actively involve participants in both Guided Tours and Creative Workshops.
The official catalogue, titled VIVA ARTE VIVA, consists of two volumesVolume I is dedicated to the International Art Exhibition, and is edited by Christine Macel. Volume II is dedicated to the National Participations, the Special Projects and the Collateral Events. The Exhibition Guide is conceived to accompany the visitor through the exhibition.

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